1961-1963
Medium: Etchings and aquatint
Sheet size: 19 1/2 x 24 1/2 inches
Frame size: 21 13/16 x 25 11/16 inches
Printer: C.H. Welch, London
Publisher: Editions Alecto, London, in association with The Royal College of Art
Edition size: 50, plus proofs
Catalogue Raisonné: MCAT 12-27
Each sheet is signed and numbered in pencil, lower margin
The rare complete portfolio of 16 etchings with aquatint, which retains the title, artist’s statement and justification pages, the original red linen-covered portfolio, and black cloth slip-case, lettered on spine in gold ‘A RAKE’S PROGRESS DAVID HOCKNEY’ and the Editions Alecto logo.
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Hockney’s rare early intaglio portfolio merges narrative printmaking with autobiography. Inspired by William Hogarth’s 18th-century series of the same name, the prints chronicle Hockney’s first trip to New York City.
His use of text, often partially obscured, adds depth rather than mere description. In plate 3, a floating bottle labeled “Lady Clairol” twists out of view, referencing Hockney’s decision to bleach his hair, inviting personal engagement. In the final plate, “Bedlam” appears prominently. However, its meaning shifts as five identical figures suggest conformity, not exile, as the true form of madness.
