Andy Warhol
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Flowers
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Details of a Renaissance Painting (Sandro Botticelli Birth of Venus, 1482)
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Sigmund Freud
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Uncle Sam Wants Shoe
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Campbell’s Soup II
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Christmas Shoe (Black + White)
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Hammer and Sickle
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Electric Chair
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C: A Journal of Poetry (Vol. 1, no. 4), September 1963
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A Gold Book
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Tattooed Woman Holding Rose
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My Shoe is Your Shoe
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December Shoe
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Shoe Bright, Shoe Light
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Shoe Fly Baby
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In Her Sweet Little Alice Blue Shoes
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When I’m Calling Shoe
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Shoe
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A Whole Stocking Full of Good Wishes
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Shoe and Leg
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Jullia Warhola – Untitled (Rocking Kitty)
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Studies for a Boy Book (Bodley Gallery Announcement)
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Bodley Gallery Announcement
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Happy Greta Garbo Day
Susan Sheehan Gallery has been handling prints, works on paper, and paintings by Andy Warhol for nearly twenty years.
In addition to selections from Warhol’s famous work of the 1960s, 70s and 80s, we have one of the country’s largest collections of his Pre-Pop material.
About Andy Warhol
A prolific printmaker, Warhol (1928-1987) created an extensive body of work that transformed the art world. Known for his groundbreaking use of silkscreen printing, Warhol masterfully incorporated the aesthetics of mass production and consumer culture into fine art. His iconic works, like the “Campbell’s Soup Cans” and “Flowers” series, continue to captivate audiences with their vibrant colors and bold compositions.
Born in Pittsburgh in 1928, Warhol graduated from Carnegie-Mellon University in 1949 and moved to New York City. He quickly made a name for himself as a graphic designer and illustrator, most notably as the creator of a highly touted series of shoe advertisements in the New York Times for I. Miller. This success led to several design awards as well as the financial means to buy a brownstone apartment on Manhattan’s Upper East Side. There, he installed his mother, twenty-five cats (all named Sam), and a phalanx of assistants to help him make his illustrations. It was during this period that Warhol began to make the work often referred to as “Pre-Pop.” This material is characterized by a light-hearted wit and a fascination with subjects that would remain preoccupations throughout his career: movie stars, shoes, animals, and flowers.
While he had been making artwork throughout the 1950s, he had been showing it mainly to his closest friends; it wasn’t until the early 1960s that Warhol felt that his work was ready to be shown publicly. He first approached the Leo Castelli Gallery, home to Jasper Johns and Robert Raushenberg– two artists Warhol admired (and collected). Castelli turned Warhol down because Castelli had just agreed to show Roy Lichtenstein’s work, and Leo thought that the two artists would be redundant. Gallery director Ivan Karp helped Warhol find other avenues for his paintings, and eventually Warhol joined the Stable Gallery on west 57th Street. Warhol’s use of images culled from popular sources such as comic books, advertisements, and cinema stood in stark contrast to the then prevailing dominance of abstract art. It wasn’t long before Warhol along with fellow artists Roy Lichtenstein, Claes Oldenburg and James Rosenquist began to be grouped together as Pop Artists.