Ellsworth Kelly Original Prints
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Colored Paper Image II (Dark Green Curves)
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Pear I
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Colored Paper Image XIII (Yellow Green Black Blue Orange)
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18 Colors (Cincinnati)
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Lemon Branch (Branche de Citron)
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Lemon (Citron)
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Calla Lily II
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Yellow Red-Orange
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Green Curve
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Red Curve (Radius of 8′)
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Leaf VIII
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Red-Orange over Black
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Blue Yellow Red
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Dark Gray Curve (State I)
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Color Squares 4
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Blue and Orange (Bleu et Orange)
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Green Curve (State II)
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Two Curves
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Black Green
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Green Curve with Radius of 20′
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Blue Green
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Yellow
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Black Variation V
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Blue Black
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Yellow Black
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Yellow Orange
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Blue White Red
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Green White
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Blue Red-Orange Green
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Colored Paper Image XVIII (Green Square with Dark Gray)
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Colored Paper Image VI (White Curve with Black II)
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Colored Paper Image XX (Brown Square with Blue)
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Colored Paper Image XV (Dark Gray with Blue)
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Colored Paper Image I (White Curve with Black I)
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Blue over Green
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Orange over Green
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Blue and Green over Orange
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Orange and Blue over Yellow
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Black Yellow
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Untitled
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Grape Leaves I
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Leaf IV
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Leaves
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Mulberry Leaf
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Saint Martin Tropical Plant
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Oak II
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Leaves
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Leaf II
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Leaf IX
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Melon Leaf
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Leaf XI
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String Bean Leaves III
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Leaf V
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Wild Grape Leaf
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String Bean Leaves II
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String Bean Leaves I
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Pear III
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Leaves
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Ailanthus Leaves II
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Peach Branch
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Catalpa Leaf
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Drawings to Benefit The Foundation for Contemporary Performance Arts, Inc. (Tulip)
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Ellsworth Kelly, Leo Castelli, NY and Blum Helman, NY (Black Curve II)
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Ellsworth Kelly, Museum Overholland (Degas)
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Ellsworth Kelly Painting & Sculpture 1966-79, Hayward Gallery (Black/Green)
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Ellsworth Kelly: The Years in France, 1948-54, The National Gallery of Art (Tiger)
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Ellsworth Kelly, Yellow Curve – Portikus (Black Border)
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Merce Cunningham Benefit (Rose II)
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Ellsworth Kelly (Red, Green, Blue)
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Ellsworth Kelly, Staatliche Kunsthalle (Chatham XII, Yellow/Black)
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Ellsworth Kelly, Galerie Denise Rene Hans Mayer
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Tendance, Galerie Maeght
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Ellsworth Kelly, Museum Overholland (Black Rebound)
About Ellsworth Kelly
Ellsworth Kelly was born in 1923, in Newburgh, New York. He studied at Pratt Institute in Brooklyn before being inducted into the Army in 1943. Upon entering the service, Kelly requested to be assigned to the 603rd Engineers Camouflage Battalion, which took many artists. Eventually, he served in The Ghost Army, a deception unit made up of artists and designers which produced inflatable tanks, trucks, and other elements of subterfuge to mislead the Axis forces about the direction and disposition of Allied forces.
After the war, Kelly studied at the School of the Museum of Fine Arts, Boston and the Ecole des Beaux-Arts in Paris. In France, he discovered Romanesque and Byzantine art and met many fellow artists. He returned to New York in 1954 and had his first New York City exhibition at Betty Parsons’ Gallery two years later. After living and working for several years in Coenties Slip, Kelly moved to Spencertown in 1970 where he lived and worked until his death in 2015.
Kelly began creating prints in the mid 1960s, first producing the Suite of Twenty-Seven Lithographs (1964–66) with Maeght Éditeur in Paris. Later, he would primarily collaborate with Gemini G.E.L. in Los Angeles, completing over 250 lithographs, screenprints, aquatints, etchings, and sculpture editions at Gemini.
In 1959, Kelly was included in the Museum of Modern Art’s ground-breaking exhibition, Sixteen Americans . Two years later, he was invited to show at the São Paulo Biennial. Kelly’s first retrospective was held at the Museum of Modern Art, New York, in 1973. A career retrospective was organized in 1996 by the Solomon R. Guggenheim Museum, New York.